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His lyrics – often distilled from scribbled pages of free verse or poetry – became a form of inquiry,” Mehr continues. “Conceptually, Tweedy had decided to focus on a big idea for the next album: the state of America. That question became the foundation for Yankee Hotel Foxtrot… the way people communicated or ultimately failed to communicate.” The album takes its title from a haunting recording of a woman repeating those words that is included in The Conet Project that recording is sampled in the penultimate song on Yankee Hotel Foxtrot, ‘Poor Places’. Why could I listen to hours of this stuff, even though I had no clue what any of them were saying. As Bob Mehr points out in his new album note, the record got “deep under Tweedy’s skin.” Tweedy said in his 2017 memoir, Let’s Go (So We Can Get Back), “It was as fascinating to me as anything being made by actual musicians using actual instruments… I wanted to know why it was so hypnotic to me. Yankee Hotel Foxtrot also was featured in multiple decade-end lists, with Rolling Stone naming it #3 Album of the 2000s, as well as many Greatest Albums of All Time lists, including in the NME.Īmong Yankee’s inspirations was a recording Tweedy bought at Tower Records in the late 1990s, The Conet Project: Recordings of Shortwave Numbers Stations. Yankee Hotel Foxtrot was widely acclaimed as one of 2002’s best albums, appearing in year-end lists of Mojo, NME, Q, Rolling Stone, and Uncut, among many others. When you receive it, when its sounds in motion light up your mind's eye, it is created in collaboration with you. Ryan says, 'The album’s story is an allegory for the emergence of mind and meaning from the matter of the universe, and its eventual fading, with a glimmer of hope at the end.' It was mixed by Nicholas Principe and mastered by Kramer. They recorded Emerald Sea in collaboration with Jon Sonneberg at Ka-Boom studio in Ohio.

'I always saw her as a shadow figure that I couldn’t quite figure out.' In its current cycle, Sound of Ceres is Derrick Bozich, songwriter, harpist, and flautist Jacob Graham, synthesist, costumer, and light designer K Hover, vocalist, lyricist, costumer, and choreographer and Ryan Hover, songwriter and producer. 'I envisioned myself journeying through these different realms - space, the land, the sea, the heavens - and following Marina's character,' says k. In every intimacy human beings cultivate, every rush of connection, no matter how fleeting, we reenact the universe for ourselves. These stories are two views of the same fractal. In the closest frame, two people encounter each other, grow close, and then separate. In the widest frame, the universe begins, meets itself, and ends. Connection and severance, joy and grief, wonder and bewilderment all tumble through its scope.

Through a dazzling suite of songs inspired by Les Baxter's mid-century exotica, Maurice Ravel's ballet Daphnis et Chloé, and Gustav Holst's The Planets, Emerald Sea studies intimacy on both an interpersonal scale and a cosmological one. And there is Venus, transformer of matter and avatar of love, sung by the group's lead vocalist Karen Hover (who goes by k). There is the Universe, all that exists, voiced by performance artist Marina Abramovic. Written in three acts, Emerald Sea follows two deities who trail each other through the furthest reaches of experience. In its dreamlike impressions, it could also be the soundtrack to a long-forgotten early musical film - an experience that delighted and transported audiences and then vanished from record, surviving only in the imprint of memory. Rendered in dynamic, ambitious orchestral passages, it forms the basis of future stage performances intended to draw its half-submerged narrative into the visual sphere. Recommended If You Like: Beach House, Les Baxter, Candy Claws, Marina Abramovic, Fine Art, Vintage Disney.Įmerald Sea, the third album from New York-based audiovisual project Sound of Ceres, tells the story of how the universe comes to know itself.